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Stephan Falk - Handbuch für Mediaberater im Hörfunk

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Stephan Falk

Handbuch für Mediaberater im Hörfunk

2011

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Audio-Logo/Sound-Logo S. 104

„… 104 FALKS HANDBUCH FÜR MEDIABERATER IM HÖRFUNK Audio-Logo/Sound-Logo Bei nationalen …”

Erstellen von Schaltplänen S. 104-106

„… 104 FALKS HANDBUCH FÜR MEDIABERATER IM HÖRFUNK Audio-Logo/Sound-Logo Bei nationalen …”

Titelei/Inhaltsverzeichnis S. 2-8

„… ........................................................................ 101 Audio-Logo/Sound-Logo ........................................................ 104 Erstellen …”

Das Rebriefing S. 101-104

„… MEDIABERATER IM HÖRFUNK Audio-Logo/Sound-Logo Bei nationalen Hörfunkkunden ist das Audio-Logo …”

Stichwortverzeichnis S. 187-193

„… ff Sone 69 Sound-Logo/Audio-Logo 104 Spartensender 70 Sponsoring 27, 70, 114 ff Spot 70, 99 ff …”

doi.org/10.5771/9783845227764

Beate Hochholdinger-Reiterer, Christina Thurner, Julia Wehren - Theater und Tanz

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Beate Hochholdinger-Reiterer (ed.), Christina Thurner (ed.), Julia Wehren (ed.)

Theater und Tanz

Series: NomosHandbuch

Volume 2023

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Wolf-Dieter Ernst IV.3.15 Sound/Ton S. 753-758

„… den hohen und tiefen Tönen, der Klangfarbe oder dem soundscape.Die Begriffe ›Sound‹ und ›Ton …” „… IV.3.15Sound/TonWolf-Dieter ErnstAbstract Sound und Ton sind grundlegende Phänomene von …” „… einen Überblick über aktuelle und historische Soundforschung und stellt jüngere Befunde der Sound …”

Wolf-Dieter Ernst II.6 Figur/Figuration S. 95-104

„… , auf der Ebene des Rollenstudiums und auf der Ebene des Sounds der Aufführung.Von der …” „… »über und unterbietet« (Ernst 2012: 40).Figuration als Wahrnehmungsqualität: der Sound der …” „… verleihen.Der Sound der Clever ist in ihrem Lamento doppelt codiert: als in den Raum gerichteter Klang, ganz …”

Nikolaus Müller-Schöll III.2.1 Theatertheorien S. 275-284

„… (→ Geste), des Sounds (→ Sound/Ton), der Bauten (→ Theaterarchitektur), der Zuschauer:innen (→ Publikum …” „… , Sound/Klang oder Wissen« (ebd.: VI). Hintergrund ist ein Verständnis von Theorie als einer allgemeinen Form …”

Literaturverzeichnis S. 823-958

„… : Ethnomusikologie, in: Holger Schulze (Hrsg.): Sound Studies, Bielefeld 2008, S. 125–135.Alvarez, Natalie …” „… Ware hören?, in: Holger Schulze (Hrsg.): Sound Studies, Bielefeld 2008, S. 167–184.Belliger …” „… , Maaike: Doing dramaturgy. Thinking through practice, Cham 2022.Blijsterveld, Karin: Mechanical sound …”

Doris Kolesch IV.3.11 Stimme S. 725-732

„… elektronischen Sounds (→ Sound/Ton). Mit Blick auf eine Globalgeschichte von (→) Theater, (→) Tanz und …”

Einleitung S. 345-346

„… ), Maske (Rekatzky), Rhythmus (Risi), Sound/Ton (Ernst) theater- und tanzwissenschaftlich untersucht werden …”

Annemarie Matzke IV.2.7 Experimentelle Formen S. 525-534

„… (Bewegung, Licht, Raum, Text, Sound (→ Sound/Ton), (→ Kostüm) nie einfach nur Werkzeuge, sondern bestimmen …”

Christel Weiler III.1.2 Aufführungsanalyse S. 169-180

„… , Musik, Geräuschen (→ Sound/Ton) gespielt wird etc. Sieht man beispielsweise auf die neueste in Hamburg …” „… Sound- und Bildinstallationen, Performer:innen, echte und künstliche Pflanzen, Besucher:innen …”

Titelei/Inhaltsverzeichnis S. 1-14

„… . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .IV.3.14 747Stephanie SchroedterSound …”

Stephanie Schroedter IV.3.14 Musik S. 747-752

„… jüngere Entwicklungen im Bereich der Klangkunst/Sound Art (Ruccius 2019) und der Soundinstallationen …” „… Sounddesign durchgesetzt hat, behält Musik (trotz stellenweise erheblicher, jedoch zumeist polemisch …”

Julia Stenzel III.1.4 Hermeneutik S. 187-194

„… 2020: 389), Sound etc. interpretierbar, die den Zuschauenden Verstehen als Teilhabeaufgeben: Als …”

Barbara Büscher II.12 Medialität S. 139-144

„… ] theatre performance is identical with those media (such as space, body, text, sound etc.) in which the …”

Ramona Mosse IV.2.13 Theater und Digitalität S. 569-576

„… , Videos oder mobilen Geräten und auch Sounderlebnissen (→ Sound/Ton) vollzieht und so das Bühnengeschehen …”

Gabriele Klein III.2.3 Performancetheorien S. 289-296

„… (z. B. Bühnenbilder (→ Bühnenräume)) und akustisch-visuelle Medien (z. B. (→) Sound/Ton, auf der …”

Kirsten Maar IV.2.2 Bühnentanz S. 475-484

„… (→ Zeit) bestimmt; Akustik (→ Sound/Ton) und Kinästhetik tragen ebenso bei zu einer Ästhetik der Präsenz …”

Doris Kolesch II.1 Theater S. 33-44

„… Form von Mikrofonen und Mikroports, von Bewegtbildprojektionen, Musik- oder auch Soundcollagen etc …”

doi.org/10.5771/9783748928553

Franz-Alois Fischer - Promenade der Fremden

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Franz-Alois Fischer

Promenade der Fremden

Series: Philosophie erzählt

Volume 3 2021

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Zwei – Sounds of Shanghai S. 13-18

„… Alber 49203 / p. 13 / 2.7.2021 Zwei Sounds of Shanghai Das erste Geräusch: ein knorpeliges Krachen …”

doi.org/10.5771/9783495826065

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Tom Lubin

Getting Great Sounds

2022

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Chapter 3 Understanding Sound and Hearing S. 43-64

„… 3 Understanding Soundand HearingUsing microphones to get great sound requires more than simply …” „… much as you can about how your ears work. This chapter looks at soundand how humans hear.How Sound …” „… quickly as to be indis-tinguishable from the originating, or direct, sound.Sound travels only about 344 …”

Chapter 4 Polarity, Phase Cancellation, and Reverb S. 65-82

„… you’re looking for a compressed sound,my feeling is that the best drum sounds are recorded with the drums …” „… of the sound. A great-sounding space makes any instrument or vocalsound better, and that comes …” „… have been placed together in thischapter because they are all about what happens to sound in a space …”

Chapter 2 Microphone Types, Patterns, and Uses S. 15-42

„… characteristics act on soundcoming from all around. Directional patterns are most sensitive to sound that is …” „… provides context for the description of a microphone’s ability to pick up sound—forinstance, the on-axis …” „… the sound-cancelling properties of a cardioid.Chapter 2 Microphone Types, Patterns, and Uses 31The …”

Chapter 11 Miking the Guitar and a Bit on Bass S. 189-206

„… of sounds—acoustics, electrics, 6-strings, 12-strings, different amps,stereo, mono, harmony, rhythm …” „… vibrations in the wood to generateovertones and sustain that contributes to the sound.Many acoustic guitars …” „… a more open soundthat picks up all the sound and reflections of the instrument in the space. Point …”

Chapter 8 Stereo Microphone Techniques S. 123-138

„… TechniqueA Jecklin disk is a sound-absorbing disk placed between two microphones to create an acoustic“shadow …” „… sound-absorbing material (see Figure 8.6, whichuses soft plastic foam). Different versions of the disk have used …” „… provide amore open sound and are particularly suitable for concert halls or other good-sounding …”

Chapter 10 Miking Drums S. 159-188

„… sounds good in the studiois key to a good-sounding drums recording. Hint: Be sure you own the most common …” „… don’t get hung up on changing everything with every sound,but go with the flow.Handheld percussion of …” „… SoundsGetting sounds for drums is both technical and aesthetic. It’s a matter of mic choice and place-ment …”

Index S. 301-319

„… sound engineering schools, 139sound image, 190sound source, 32, 47sound waves, 43–45, 47–48Soundelux …” „… , 191–192, 194recording, 191–194sound, 191steel strings, 194acoustic phase cancellation, 35, 70–76acoustic …” „… pickups, 104acoustic separators, 119–121acoustic sounds and equalization (EQ), 273acoustical phase shift …”

Preface

„… Soundelux - Wunder…………………….……………………………………..………..…288Golden Age - Senal Sound……………………….…………………………….……….…289 …” „… sounds.What’s a great sound? Barry Gordy was asked what soul was. He said he didn’t have ananswer, but he knew …” „… percentage of music lovers come to an adhoc agreement on whichrecordings are great sounding. Great sounds …”

Appendix B An EQ Primer S. 273-282

„… dowant. Because we hear one sound through another, you need to make room for the soundsAppendixB273you …” „… 0 An EQ PrimerEqualization modifies the loudness of specific frequencies in the sound. It is the …” „… performance.n For acoustic sounds, make sure the instrument you’re recording sounds the way you want itto in the …”

Chapter 12 Miking Piano S. 207-216

„… upright. A good-sounding piano, well recorded, adds muchmore to a production than just the sound that …” „… most musicians know, a grand has its sound-ing board and strings parallel to the floor, and an upright …” „… sound.Grand PianoFor a grand piano overdub, if the lid remains on, open it up to its full extent. For a …”

Chapter 13 Miking Solo Acoustic Instruments and Vocals S. 217-240

„… that is magicaland beyond just the sound.Taking a SoloMost of the time, a solo instrument should be set …” „… Solo Acoustic Instruments and Vocals 219on how much of the room I want to include in the sound—I’d use …” „… be desirable or not,depending on the sound.Figure 13.3 AKG 451 CK 1 cardioid capsule with …”

Chapter 1 The Development of the Microphone S. 1-14

„… sound-gathering horn to the front of one of thediaphragms and a sound-projecting horn to the surface of the other …” „… Better SoundStarting at the end of the 19th century and throughout the early 20th century, there was a …” „… tapered horn that concentrated the sound. The other end of the quillwas a sharp, fine stylus. A piece of …”

Chapter 9 The Recording Session S. 139-158

„… to test out his snare sound.Always set up a couple of extra microphones that are plugged in and ready …” „… sound.For a three- or four-piece band, the guitar player usually can be placed to one side of the drum-mer …” „… their doors becausemany of their clients had their own gear.The emergence of sound engineering schools …”

Appendix C Microphones you may not have heard of S. 283-300

„… the Soundman microphones. Ifyou are interested in sound art, you will find on the Soundmanwebsite a …” „… small companies owned by people who arepassionate about good sound. A handful of companies are large but …” „… no less passionateabout sound but due to geo-politics have not been widely available.283C …”

Chapter 6 Hum 101, DIs, and Related Transducers S. 91-106

„… ) and a miked amp sound.Sometimes, when the two are combined, they cancel substantially because the two …” „… 6 Hum 101, DIs, and RelatedTransducersThe best sound can be destroyed by hum. Hum that wasn’t there …” „… Great Sounds: The Microphone BookBut in any building there is a lot of wire between the wall outlet and …”

Chapter 14 Miking Classical Acoustic Sections S. 241-264

„… blend that is so much a part of an orchestra sound.String overhead mics are also used to capture some of …” „… sound.Rock-and-roll horns often use close miking (see Figure 14.12). I set up a five- to seven-piece rockhorn section …” „… figuring out what they’re going to do while you (the engineer) fine-tune the sound and correct any problems …”

Chapter 7 Accessories and Necessary Hardware S. 107-122

„… sound.PhotocourtesyofSennheiser.Figure 7.6 The components of a Sennheiser “blimp.”PhotocourtesyofAngeloGaleano.Figure 7.7 A “blimp” at …” „… extraneous noise that might enter the mic, and provide a meansto fine-tune the acoustic sound around the …” „… the sound pressure entering the mic, and in a pinch, I’vedone it. But it’s not my preference, because …”

Appendix A Compressors and Limiters: A Brief Overview S. 265-272

„… , the sound will seem to “pump” or “breathe.” This pumping soundcan be very obvious and highly …” „… Getting Great Sounds: The Microphone Bookpluck) are lower and closer dynamically to the sustain (see …” „… pleasant,and less audibly obvious sound. Limiting ratios can make the sound very restricted and lacksparkle …”

Chapter 5 Impedance and Balance S. 83-90

„… isimportant because incorrectly connecting things at these junctions can radically affect the sound.Microphone …” „… current (sound[AC]). Resistanceof a circuit to a non-alternating signal is direct current (DC). Both …” „… can beplugged into a guitar amp, but many will sound better if they are plugged into the …”

doi.org/10.5771/9781538173022

Kai Bronner, Rainer Hirt - Audio Branding

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Kai Bronner (ed.), Rainer Hirt (ed.)

Audio Branding

2009

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Holger Schulze Education in Sound S. 16-25

„… discussions (soundXchange 1-3) as well as in accompanying research. The programme of study had to be exciting …” „… 15 Audio Branding and Education in Sound Holger Schulze Education in Sound 17 A. ab_090218 …” „… an education in Sound? Acoustic communication is a new discipline. Over the last ten years one has …”

Rainer Hirt The Process of Brand Sound S. 110-117

„… Brand sound programmes. Sound-Mood Architecture Core cells model. Also used in the final phase of the …” „… process. Suitable for: Presentations (selection process). Sound-Mood Set Back-up model for derivations …” „… brand sound development can be operated and which methods are needed to approach the topic brand …”

Mark Lehmann The Voice in Brand Sound S. 90-95

„… necessity to acquire an audio identity, as well as a visual one. Music, sounds, and the human voice are all …” „… essential elements in successful branding strategies. It is a well-established fact that music and sounds …” „… branding‘, ’sonic branding‘, ’sound branding‘, ’acoustic branding‘, and ’corporate sound‘. These terms …”

John Groves A short History of Sound Branding S. 62-75

„… brand for which I produced a complete Sound Identity – Sound Logo, Brand Song, Sound Icons, Soundscapes …” „… 61 1. History? I was asked to write a short history of Sound Branding. I felt like a six year old …” „… being asked to write his memoirs. Sound Branding hasn’t even started walking yet, so what is with the …”

Ralf Sieckmann Sound Trade and Service Marks – Legal Aspects S. 192-203

„… . textures, sounds, scents and aromas which are available for registration in some parts of the world …” „… set by the jurisdiction or should be supplemented prior to allowance. Sound Trade and Service Marks …” „… 191 24.04.2009 12:27:52 Uhr 192 2. What are the preconditions for registering Sound Marks? 2.1 The …”

Aaron Day The Samsung Global Sound Project: Cross-culture Innovation S. 216-227

„… description of information we receive via the visual channel. Not so with sound. It is difficult to talk …” „… about sound with individuals who are unfamiliar with, or in some cases, scared of the subject. It is …” „… too often the case that decision makers consider sound as either A: Music and music only or B: That …”

Stefan Nerpin, Richard Veit, Milo Heller The sound of Vattenfall – A brand promise is heard S. 228-239

„… ) - and via sound themes or soundscapes which communicate the brand in areas where visual means cannot be …” „… 227 Vattenfall sounds off. The Swedish energy company, which has a strong presence in Northern and …” „… monolithic brand strategy. Vattenfall gradually integrated all of the brands The sound of Vattenfall – A …”

Hannes Raffaseder Audio Brands and Brand Sounds: Relevance of Timbre in Audio Branding S. 96-109

„… volume and pitch. It enables differentiation between two equally loud and equally high-pitched sound …” „… music sounds and what instruments it should be played with was less relevant. Yet, timbre in particular …” „… has grown considerably. The characteristic sound1 of a singer Audio Brands and Brand Sounds …”

James Bull The Narrative Ear – Realities in Creating Sound, Story and Emotion for Brands S. 204-215

„… . The Narrative Ear – Realities in Creating Sound,Story and Emotion for Brands James Bull Executive …” „… 203 Case Studies James Bull The Narrative Ear – Realities in Creating Sound, Story and Emotion for …” „… Heller The sound of Vattenfall – A brand promise is heard Shouvik Roy, Anupam Sen Gupta Case Study: NBL …”

Kai Bronner Jingle all the Way? Basics of Audio Branding S. 76-89

„… can be listened to in soundsamples and sound collages. The sound identity SI must be strictly …” „… Branding Mark Lehmann The Voice in Brand Sound Hannes Raffaseder Audio Brands and Brand Sounds: Relevance …” „… of Timbre in Audio Branding Rainer Hirt The Process of Brand Sound Lukas Bernays Acoustic Brand …”

Glossary S. 248-255

„… elements (sound marks in analogy to land marks). Every auditory environment can be considered a soundscape …” „… brand Mercedes-Benz has its own brand design. The same applies to ‘corporate sound’ and ‘brand sound …” „… (corporate sound). Acoustic brand management Management process of acoustic brand communication. Main …”

Karsten Kilian From Brand Identity to Audio Branding S. 36-51

„… Design (Functional Sounds) Brand Songs Jingles Sound Logos Brand Soundscapes Brand Themes …” „… being used. It can take the form of brand themes, brand soundscapes, sound logos, jingles, or brand …” „… Evaluation von Sound-Logos. In: Bronner, K./Hirt, R. (eds.), Audio Branding, pp. 141-158. Munich: Verlag …”

Georg Spehr Audio Branding – all new? S. 26-35

„… 25 Basics of Sound and Branding Georg Spehr Audio Branding – all new? Karsten Kilian From Brand …” „… _edited.indd 26 24.04.2009 12:27:33 Uhr 27 In recent years, the terms audio branding, sound branding, sonic …” „… branding, acoustic branding, sound identity, acoustic identity and corporate sound have been increasingly …”

Index S. 270-281

„… strategy Sound Studies 18–22, 70 sound symbol 81–82, 250 sound trademark see sound mark soundscape 41 …” „… , 44, 62, 80, 82, 84, 95, 229, 252 soundtrack (sound track) 53, 85, 96–97, 103, 113, 124, 234 …” „… , 95–96, 99, 106, 139, 234, 249 Acoustic Ecology 18 acoustic pattern 38–39 acoustic pollution (sound …”

Michael Haverkamp Synesthetic Design – Building Multi-sensory Arrangements S. 164-181

„… ). Audio-visual Coupling and Perception of Sound-Scapes. Oldenburg: DEGA, p. 365-366. Haverkamp, Michael (2007a …” „… the object, immediately grasps it, hits it towards another object to experience its sound, puts it …” „… into its mouth, etc. After a while, it has learned that a specific sound indicates a hard or a soft …”

Rayan Parikh Finding the Rhythm: Elias Arts and the Pioneering of Audio Identity S. 52-61

„… Audio Identity John Groves A short History of Sound Branding 53 61 C. ab_090218_edited.indd 51 …” „… jingle, Elias Arts harnessed the emotional power of music and sound to tell the story of a brand in a …” „… music work and sound design, included numerous CLIOs, Cannes Gold Lions, LIAAs and AICP awards. Over …”

About the Authors S. 256-269

„… manager of audio relation, an agency specialized in manifold communication and corporate sound. He …” „… of audio branding and sound communication on several projects in collaboration with different …” „… research). His main research interests include sound communication, sound design, multisensory design and …”

Lukas Bernays Acoustic Brand Management and the Digital Revolution S. 118-129

„… be middle-sized or multinational. Sound design is a crucially emotional communication element that …” „… : analog to binary coding, sound is also a lingua franca, which in itself knows no cultural or linguistic …” „… – acoustic communication & corporate sound ab_090218_edited.indd 117 24.04.2009 12:27:40 Uhr 118 Acoustic …”

Titelei/Inhaltsverzeichnis S. 1-10

„… _edited.indd 6 24.04.2009 12:27:32 Uhr 7Preface A. Audio Branding and Education in Sound Holger …” „… Schulze Education in Sound B. Basics of Sound and Branding Georg Spehr Audio Branding – all new? Karsten …” „… Rhythm: Elias Arts and the Pioneering of Audio Identity John Groves A short History of Sound Branding 11 …”

Karsten Killian Acoustics as Resonant Element of Multi-sensory Brand Communication S. 148-163

„… be associated with blue, 2 with red, 3 with yellow etc. Similarly, for people with sound-color …” „… mainly focused on one or two sensory channels: sight and sound. In contrast to this, touch, taste, and …” „… vary significantly as a function of the product category. While sight, sound, and touch have the …”

Jasmin Junge Intellectual Property in the Context of Acoustic Branding S. 182-191

„… Branding Ralf Sieckmann Sound Trade and Service Marks – Legal Aspects 183 191 F. ab_090218_edited.indd …” „… of a sound mark are disparate from country to country. The Jasmin Junge ab_090218_edited.indd 187 …” „… register a sound mark on national and international level have been described in detail by Ralf Sieckmann …”

Cornelius Ringe Bands for Brands – How much do they really have to fit? S. 130-139

„… following the total digitalization of the music supply. This concerns mainly the sound carrier market …” „… brand-owned music label “Green Label Sound” which was founded in 2008 by Mountain Dew. This is a program …” „… Green Label Sound and Hear Music, the audience clearly realizes that this is simply an advertising …”

Preface S. 12-15

„… development in the area of acoustic communication and an exemplary draft of the Sound Studies degree course …” „… importance and function of acoustic signals in every day life, and to what effect sound is used in the media …” „… considered and how is the registration of a sound mark implemented? Chapter G, the last chapter, delivers …”

Cornelius Ringe, Kai Bronner, Rainer Hirt Silence of Brands S. 140-147

„… cannot be reduced to the application of music and sound. In fact it is about the conscious acoustic …” „… with sound. Now it is not only about the acoustic feature, but rather the integral management of an …”

Shouvik Roy, Anupam Sen Gupta Case Study: NBL Team Anthem, WWF India S. 240-247

„… Western music. The modern day overlaps of sound worldwide were also critical to convey. The team had a …” „… sound, they chose a traditional Folk song format for their anthem. This decision was almost …”

doi.org/10.5771/9783845216935

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