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Eric Hilgendorf, Sven Hötitzsch, Lennart S. Lutz - Rechtliche Aspekte automatisierter Fahrzeuge

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Eric Hilgendorf (ed.), Sven Hötitzsch (ed.), Lennart S. Lutz (ed.)

Rechtliche Aspekte automatisierter Fahrzeuge

Series: Robotik, Künstliche Intelligenz und Recht

Volume 5 2015

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Ralf-Roland Schmidt-Cotta Event-Data-Recording – Fluch oder Segen? S. 67-86

„… 67 Event-Data-Recording – Fluch oder Segen? Ralf-Roland Schmidt-Cotta, Continental Automotive GmbH …” „… Übersicht 1 ist die Historie der Unfalldatenspeicherung zusammengestellt. Event-Data-Recording – Fluch …” „… oder Segen? 69 History of Accident and Vehicle Event Data Recording 1971 Mandatory implementation of …”

Titelei/Inhaltsverzeichnis S. 1-8

„… Blickwinkel des 61 Produktsicherheits- und Produkthaftungsrechts Thomas Klindt Event-Data-Recording – Fluch …”

doi.org/10.5771/9783845261638

Avid Technology Avid Technology - Make Music with Pro Tools

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Avid Technology Avid Technology

Make Music with Pro Tools

2023

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Lesson 8: Recording Audio S. 203-228

„… Storage: The Disk Usage Window In Pro Tools, your storage drive holds all your recordings—when the drive …” „… Lesson 8 Recording Audio Recording audio is an area where Pro Tools really shines, and its …” „… the road to recording great takes! Learning Targets ! Create a click track ! Prepare tracks for …”

Lesson 7: Getting Ready to Record S. 182-202

„… becoming a strong Pro Tools user. Sooner or later though, you’ll need to start recording performances. For …” „… recordings. In a music session, you may also want to configure the session tempo and meter to match the piece …” „… you are recording. Learning Targets ! Recognize characteristics of different types of microphones …”

Lesson 9: Getting Started with MIDI S. 229-259

„… “count-in”) is a specific number of clicks played in tempo prior to starting a recording. This gives a …” „… Note Normally, recording begins when the Record button is active and the Play button (or spacebar) is …” „… will be colored blue. In this state, recording will not begin until a MIDI event is received (for …”

Preface

„… television shows, news programs and televised sporting events, and celebrated music recordings and live …” „… .......................................................................................................................................................... 187Topic 7.2: Your Recording Space …” „… ................................................................................................................................................ 190The Proximity Effect and Your Recording Space …”

Lesson 2: Getting Inside Pro Tools S. 33-61

„… recording and playback. Getting Inside Pro Tools 39 3. Click the OK button in the lower right of the …” „… : What is the purpose of your session? Will you be composing music? Creating sound effects? Recording …” „… effects for film, TV, games, theater, and broadcast • Audio books • Game audio • Foley sound • Recording …”

Lesson 1: Getting Started S. 1-32

„… of measurement called the Decibel (dB). The range of Decibels in a recording is called the dynamic …” „… is used in several ways in the audio world—from drum hits and short recordings, to the fundamental …” „… frequency content, like cymbals. When recording at 96 kHz, however, the Nyquist frequency is 48 kHz, which …”

Lesson 10: Working with MIDI in Pro Tools S. 260-286

„… put, a sampler uses short recordings (called “samples”), letting you play them from a MIDI keyboard …” „… and Tempo Typically, you’ll want your MIDI recordings to respond to tempo changes. Tick-based timing …” „… ? a.TheircontentsarealignedtoBar|Beatlocations.b.TheircontentsarealignedtoSamplelocations.c.TheircontentsarealignedtoMin:Secslocations.5. True or False. MIDI recordings typically respond to tempo changes in your session, speeding up …”

Lesson 4: Basic Track Techniques S. 95-122

„… MIDI recording and MIDI clips. A MIDI track cannot be heard on its own; however, it can be used in …” „… connector) Instrument Tracks Instrument tracks are the other kind of track that supports MIDI recording and …” „… job is to make sure that you can hear them. If you’re recording, you also need to make sure the input …”

Lesson 15: Automation and Mixdown S. 399-424

„… recording to an external device, by recording to a track within Pro Tools, and by bouncing your mix to disk …” „… level of the session folder. Creating an Archive When you’re done recording, editing, and mixing, you’re …”

Lesson 12: The Basics of Audio Mixing S. 318-344

„… composition, recording, and editing. Mixing processes, techniques, and goals are debated vigorously among …” „… effectively in a mix The Basics of Audio Mixing 319 TOPIC 12.1: WHAT IS MIXING? Multitrack recording …” „… digits are ones, you’ve hit the loudest signal you can accurately represent: full-scale audio. Recording …”

Lesson 3: Getting to Know Pro Tools S. 62-94

„… session. They also enable you to set start and end points for playback and recording. Figure 3.11 Rulers …” „… in the recording process), and below them is a Fade-in option. To the right of these, you’ll see …”

Lesson 11: Taking Your Workflow to the Next Level S. 287-317

„… number of situations, from recording, to editing, to mixing, and beyond! Taking Your Workflow to the …” „… . (If your recording includes a lot of background noise, you may have to tab several times to get to the …”

Lesson 14: Other Effects Processing Options S. 374-398

„… replicate the sound of real spaces. The effect is created by recording an initial sound in a space and …”

Lesson 6: Editing Fundamentals S. 148-181

„… playback cursor is a vertical line that moves across your screen during playback and recording. Pro Tools …”

doi.org/10.5771/9781538175644

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Ryan Rey, Harry Gold

Logic Pro 101

2022

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Exercise 7. Recording Audio S. 190-198

„… recording—at this time, the goal is to understand how to route a signal into an Audio track and capture a …” „… Exercise 7 Recording Audio � Activity In this exercise, you will be recording a new part to …” „… exercise. Option 1: Live Recording. For this option, you will first need to connect an external sound …”

Chapter 7. Making Your First Audio Recording S. 169-189

„… Recording—Metronome sounds during recording and not during playback, whether the METRONOME button is engaged or not …” „… Chapter 7 Making Your First Audio Recording This chapter covers the steps required to begin …” „… recording audio into a Logic Pro project. It also describes the types of audio regions your projects will …”

Chapter 6. Making Your First MIDI Recording S. 125-154

„… can help you synchronize your performance to the composition while you’re recording—whether recording …” „… . ! CLICK WHILE RECORDING—This mode engages the metronome click while you’re recording, giving you the …” „… Chapter 6 Making Your First MIDI Recording This chapter covers the basics of recording and working …”

Exercise 8. Recording, Configuring, and Adding Markers to an Arrangement S. 221-230

„… Exercise 8 Recording, Configuring, and Adding Markers to an Arrangement � Activity In this exercise …” „… sample file.) Recording from the Live Loops Grid to the Tracks Area Up until this point, you’ve had the …” „… of Bar 1. This will ensure that your recording begins at the start of the Tracks Area. Recording …”

Exercise 6. Working with MIDI S. 155-168

„… Software Instrument tracks ! Prepare the project for recording ! Record or manually create a MIDI …” „… regions after recording using the MIDI Note Editor. Assigning Instruments to MIDI Tracks You will now …” „… file for your project. Recording MIDI (Option 2) This section will help you prepare to record a MIDI …”

Preface

„… .............................................................................................. 8Recording and Playing Back Analog Audio …” „… ............................................................................................ 11Recording in Digital Format …” „… ......................................................................................... 120Chapter 6. Making Your First MIDI Recording …”

Final Project 1. Creating a Musical Arrangement S. 303-324

„… : ! Choose FILE > SAVE or press COMMAND+S. Recording from the Live Loops Grid to the Tracks Area While the …” „… Arrangement 317 Prepare for Recording into the Tracks Area Before recording the five scenes—Intro, Verse …” „… recording to the Tracks Area, so it will help to get some practice in advance. � When launching cells and …”

Chapter 4. Creating Your First Project S. 71-95

„… these settings from the Audio and Recording Preferences and the Audio tab of the Project Settings …” „… Preferences, click APPLY to commit the change. To get started recording and playing back through an audio …” „… SETTINGS > AUDIO. A sample rate of 44.1 kHz is often adequate for home- and project-studio recordings …”

Chapter 1. Logic Pro Background S. 1-15

„… historical developments in sampling and sound editing, MIDI technology, computer I/O, and recording …” „… in audio and MIDI recording, composition, editing, and mixing, as well as support for desktop video …” „… recording, audio editing, MIDI sequencing, signal processing, and mixing through a single, integrated system …”

Chapter 2. Getting Started with Logic Pro S. 19-47

„… unsaved Logic Pro project, each recording is initially stored in a folder within a temporary Untitled …” „… the location of the temporary Project Package in the AUDIO RECORDING PATH section of the Recording …” „… Project Settings dialog box (FILE > PROJECT SETTINGS > RECORDING). Logic Pro supports audio files in AIFF …”

Index S. 341-348

„… Society/European Broadcast Union), 12 alias tones, 10 amplitude, 8–11 amplitude levels, 10 analog audio recording …” „… recording, 11 digital connections, 12 digital transfers, 12 digital-to-analog conversion, 12 Dither, 289 …” „… adding at specified points, 208 adding during playback and recording, 208 changing a marker length, 210 …”

About the Authors S. 349-350

„… theory, piano, and sound for picture at Pyramind in San Francisco; studio recording and AV technology at …” „… Studios, a recording studio based in Berkeley, California specializing in live recording. Previously, Gold …”

Chapter 8. Selecting and Navigating S. 199-220

„… , you might find it useful to add markers on the fly during playback or recording. For example, while …” „… Playback and Recording Markers can be added during real-time playback and recording in much the same way as …” „… time that the operation is initiated. To create a marker during playback (or recording), do the …”

Exercise 4. Creating a Project S. 96-100

„… depth: 1. Open the Recording Preferences window by selecting LOGIC PRO > PREFERENCES > RECORDING. 2. Set …” „… the FILE TYPE to WAVE (BWF). 3. Make sure the box is checked for 24-Bit Recording. 4. When finished …”

Exercise 10. Automating Shared Effects and Exporting a Stereo Mix S. 294-302

„… taste. Recording Automation and Setting Levels In this part of the exercise, you will record automation …” „… timing a few times to get the desired results. � To practice the timing without recording Automation, you …” „… . Continue recording automation for a few seconds with the volume set to -inf. 6. Press the SPACEBAR when …”

Chapter 5. Importing and Working with Media S. 101-119

„… LOGIC PRO > PREFERENCES > RECORDING. To determine the sample rate, choose FILE > PROJECT SETTINGS …” „… files allow for unrestricted file sizes, making very long recording times possible. ! Waveform Audio …” „… mode maintains the project tempo when recording and importing audio. This behavior is how most other …”

Chapter 3. Logic Pro Basic Controls S. 51-67

„… day-out in Logic Pro for recording, playback, and basic editing of audio and MIDI material. Establishing …” „… Main Window When navigating a project to set locations for playback, recording, or editing, you’ll find …” „… can also be used to record multiple takes over a selected part of the project. � Recording techniques …”

Chapter 10. Mixing and Creating a Bounce S. 271-293

„… . Though much of your signal routing might have been set up during the recording and editing stages of your …” „… location. Creating a Stereo Mixdown Mixing down is the process of recording the output from multiple tracks …” „… resolution when bouncing 24-bit recordings down to 16-bit files. Monitoring Bounce Progress When performing …”

Exercise 1. Selecting Your Audio Production Gear S. 16-18

„… NotRequiredMinimumConfigurationExpandedConfigurationwithadditionalinputsandpreampsAudioInterface:InputChannels(Recording)– 1to2Inputs 4to8Inputs AudioInterface:OutputChannels(Playback)–2Outputs(forstereoplayback)4to8 …”

Chapter 9. Editing Your Media S. 231-264

„… performance, editing techniques will play a large part in transforming a project from a basic recording to a …” „… affect how the contents of the workspace and editors are displayed during playback and recording. The …” „… of the project will follow the playhead during playback and recording. You can toggle Catch mode on …”

doi.org/10.5771/9781538158173

Richard A. Kaplan - The Philadelphia Orchestra

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Richard A. Kaplan

The Philadelphia Orchestra

2015

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1. Commercial Sound Recordings S. 1-282

„… : Stokowski Society LS 3. CDs: Historic RecordingsHRCD 31. Pristine PASC 19218 WAGNER Rienzi - Overture (7:51 …” „… RecordingsHRCD 31. Pristine PASC 19230 DVOØÁK Symphony No. 9 in E Minor, op. 95, “From the New World” -Second …” „… Chapter 1Commercial Sound Recordings1 BRAHMS Hungarian Dance No. 5 in G Minor (orch. Albert Parlow …”

5. Bell Laboratories Recordings S. 327-334

„… Chapter 5Bell Laboratories RecordingsVery few of the Bell Laboratories recordings of anything other …” „… from recording logs are so indicated.B-1 [Rehearsal] StokowskiNov., 1931; Academy of MusicBTL-1762/64 …” „… (live)BTL-1821/22LPs: Bell BTL-7901Bell Laboratories Recordings 329B-14 SCHUBERT Rosamunde, D 797 - Overture …”

2. Anonymous and Pseudonymous Recordings S. 283-302

„… Chapter 2Anonymous and Pseudonymous RecordingsWorld’s Greatest Music RecordingsRecorded by Victor …” „… its actual provenance.Victor Symphony Orchestra RecordingsAll of these sessions took place in the …” „… done in the Acad-emy of Music were indeed recordings of the Philadelphia Orchestra; Ormandy con-ducted …”

4. Live Recordings and Pirates S. 309-326

„… Chapter 4Live Recordings and PiratesL-1 WAGNER Parsifal - excerpts. Rose Bampton, mezzo-soprano …” „… l’après-midi d’un faune (9:49). Bruno WalterMar. 1, 1947; Academy of Music (live)CDs: POA 100-4Live Recordings …” „… (evening); Grand Hall, Moscow State Conservatoire (live)CDs: Cisco CCD-2050Live Recordings and Pirates 313L …”

6. Video Recordings and Films S. 335-338

„… Chapter 6Video Recordings and FilmsConcert VideosV-1 STRAVINSKY The Firebird - Suite (1919) (20:40 …” „… ). 070-222-1 (NTSC).DVD: 075 092-9.This recording is a “Bonus Feature” on a video titled The Golden Age of …”

Preface

„… . Rooney of Sony Classical was helpful insorting out producers and venues for the Columbia recordings.Tom …” „… commercially attractive recordings—with theMormon Tabernacle Choir, for example—and issued dozens of …” „… Orchestra recordingsin the Franklin Mint’s “100 Greatest Recordings of All Time” are also included.Special …”

Bibliography S. 515-516

„… . Denver: Mainspring Press, 2006.Canfield, David E. Canfield Guide to Classical Recordings. 5 ed …” „… Recordings of RCA at 33 1/3 rpm. through 1931 to 1934.”Parts 1, 2. ARSC Journal 13, no. 1 (1981): 25-68; 15 …” „… , 1969.North, James H. New York Philharmonic: The Authorized Recordings 1917 - 2005:A Discography. Lanham …”

7. Ensembles of the Philadelphia Orchestra S. 339-352

„… Clarinet (2:28)May 17, 1954LPs: Columbia ML-5984/MS-6584. CDs: Boston BR 1063This recording, not remade in …” „… : Columbia ML-5984A significant number of the Philadelphia Woodwind Quintet’s pre-stereo record-ings were …”

doi.org/10.5771/9781442239166

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Casey Rae

Music Copyright

2021

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SOUND RECORDINGS AND COPYRIGHT EXCLUSIVITIES S. 57-66

„… performance right for sound recordings.The primary exclusivities that apply to sound recordings …” „… PERFORMANCES FIXED IN A TANGIBLE MEDIUMNow we’ll look at how sound recordings are exploited and the …” „… vari-ous rules and exceptions that govern their use. First, a reminder that sound recordings are …”

GETTING FAMILIAR WITH MUSIC COPYRIGHT S. 1-12

„… the recordings and compo-sitions within. The music itself belongs to its respective authors and …” „… always remain with their original creators. An author—and this includes song-writers and recording …” „… expression. Sound recordings, for example, are a category of copyrightable works that arose from the …”

MUSIC LICENSING S. 113-138

„… musical work or sound recording, typically for a fee. As previously discussed, some kinds of music …” „… recordings • Mechanical licenses and publishing administration1 1 4 C H A P T E R 8• Licensing for …” „… in Sound Recordings Act (DPRA), which requires digital radio or radio-like services to pay labels and …”

COPYRIGHT REGISTRATION, METADATA, AND DATABASES S. 89-112

„… recording artist and their label. If you’re a signed songwriter or a recording artist (or both), it’s good …” „… copyright claimant for a sound recording and the musi-cal, literary, or dramatic work embodied in the …” „… recording is the same individual or organization4How to RegisterAll of the information you need to register …”

MUSICAL WORKS AND COPYRIGHT EXCLUSIVITIES S. 37-56

„… think of individual pieces of music as “tracks,” which is to say, recordings by a band or featured …” „… artist. How-ever, as previously noted, sound recordings embody underlying compo-sitions that have an …” „… would be nothing for recording artists to perform. Even improvised music is a kind of real-time …”

DIGITAL MUSIC AND THE EVOLUTION OF AN INDUSTRY S. 23-36

„… the first record collectors. A nascent recording industry soon emerged, with Columbia Phonograph and …” „… record label made a sound recording embodying a composition—as all musical recordings do—they were …” „… subsequently applied to physical media such as LPs, cassettes, and CDs because the recordings they contain are …”

Preface

„… Musical Works (aka Underlying Compositions or “Songs”) 5 Sound Recordings 7 Exclusive Rights under …” „… Synchronizations 53 Joint Works 53 Licensing Joint Works 54 Conclusion 555 Sound Recordings and Copyright …” „… Recordings 58 The DIY Approach 59 What Labels Can Offer 60 Artist Services 61 Public Performance and Sound …”

APPENDIX S. 145-148

„… , https://www.nashvillesongwriters.com/.National Academy of Recording Arts and Sciences (NARAS): Music industry trade association that hosts the …” „… Grammys, https://www.grammy.com/recording-academy.National Music Publishers’ Association (NMPA …” „… ): Represents the interests of major music publishers, https://www.nmpa.org/.Recording Industry Association of …”

INDEX S. 157-160

„… , 53, 129Library of Congress, 91, 111master recordings/masters, 7, 125master use license, 61, 64 …” „… , 79–80Copyright, xi-xvi; sound recording copyright, xi, xv, 4–5, 7–11, 21, 25, 27, 29, 35, 37, 43, 51 …” „… XRight in Sound Recordings Act of 1995 (DPRA), 114, 124; Digital Millenium Copyright Act of 1998 (DMCA …”

COPYRIGHT ENFORCEMENT, SAFE HARBORS, AND FAIR USE S. 67-88

„… this same period, the recording industry filed lawsuits against some thirty thousand individuals …” „… on Kazaa.6 As you might expect, this led to a mountain of bad publicity. The Recording Industry …” „… uses of major label recordings. Some of the old enemies are still around: sites like Pirate Bay and …”

NOTES S. 149-156

„… Eggertsen, “How the Recording Academy and Its Industry Allies Scored Big Wins in the Pandemic Relief Bill …” „… decision does not implicate fair use, it does provide for de minimis use of sound recordings. “We find …”

A BRIEF HISTORY OF MUSIC COPYRIGHT S. 13-22

„… back into exclusivities, this time broken out by musical works and sound recordings—the twin pillars of …” „… earliest recordings on wax cylinders to the Internet—has shaped how music copyright has evolved over the …”

FINAL THOUGHTS S. 139-144

„… making enough money to stay in the game even as recording and distribution become more efficient and …”

doi.org/10.5771/9781538104859

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