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Writing the History of "Ottoman Music" / Reconstructing Western “Monophonic” Music
Writing the History of "Ottoman Music" / Reconstructing Western “Monophonic” Music
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Authors
Page
1–6
Titelei/Inhaltsverzeichnis
1–6
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7–12
Introduction
Martin Greve
Martin Greve
7–12
Details
13–74
1. Writing the History of Ottoman Music
13–74
13–32
Preliminary Notes on the Possibility (or Impossibility) of Writing Ottoman Musical History
Bülent Aksoy
Bülent Aksoy
13–32
Details
33–50
Concepts of Western and Ottoman Music History
Ralf Martin Jäger
Ralf Martin Jäger
33–50
Details
51–56
Thoughts and Suggestions on Writing Turkish Music History
Ruhi Ayangil
Ruhi Ayangil
51–56
Details
57–74
Neither Dates nor Sources: A Methodological Problem in Writing the History of Ottoman Music
Ersu Pekin
Ersu Pekin
57–74
Details
75–166
2. Periodization of Ottoman Music
75–166
75–86
From Anatolian Edvâr (Musical Theory Book) Writers to Abdülbâkî Nâsır Dede: An Evaluation of the History of Ottoman/Turkish Music Theory
Nilgün Doğrusöz
Nilgün Doğrusöz
75–86
Details
87–138
The Musical “Renaissance” of Late Seventeenth Century Ottoman Turkey: Reflections on the Musical Materials of Ali Ufkî Bey (ca. 1610-1675), Hâfiz Post (d. 1694) and the “Marâghî” Repertoire
Walter Feldman
Walter Feldman
87–138
Details
139–150
Post-Byzantine Musical Manuscripts as Sources for Oriental Secular Music: The Case of Petros Peloponnesios (1740-1778) and the Music of the Ottoman Court
Kyriakos Kalaitzidis
Kyriakos Kalaitzidis
139–150
Details
151–166
Changes in the Field of Turkish Music during the Late Ottoman/Early Republican Era
Gönül Paçacı
Gönül Paçacı
151–166
Details
167–210
3. History of Anatolian Folk Music
167–210
167–176
The Quest for “National Music”: A Historical-Ethnographic Survey of New Approaches to Folk Music Research
Arzu Öztürkmen
Arzu Öztürkmen
167–176
Details
177–194
An Effective Means for Representing the Unity of Opposites: The Development of Ideology Concerning Folk Music in Turkey in the Context of Nationalism and Ethnic Identity
Okan Murat Öztürk
Okan Murat Öztürk
177–194
Details
195–210
Ottoman Türkü
Süleyman Şenel
Süleyman Şenel
195–210
Details
211–246
4. The Reconstruction of Historical Ottoman Music
211–246
211–230
Demetrius Cantemir and the Music of his Time: The Concept of Authenticity and Types of Performance
Şehvar Beşiroğlu
Şehvar Beşiroğlu
211–230
Details
231–240
Reconstructing Western “Monophonic” Music
Andreas Haug
Andreas Haug
231–240
Details
241–246
Is an Echo of Seljuk Music Audible? A Methodological Research
Recep Uslu
Recep Uslu
241–246
Details
247–264
Bibliography
247–264
Details
265–274
Contributors
265–274
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Writing the History of "Ottoman Music" , page 231 - 240
Reconstructing Western “Monophonic” Music
Autoren
Andreas Haug
DOI
doi.org/10.5771/9783956507038-231
ISBN print: 978-3-95650-094-7
ISBN online: 978-3-95650-703-8
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doi.org/10.5771/9783956507038-231
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