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Ghazal as World Literature II / Die Herkunft des Rubāʿī

Ghazal as World Literature II / Die Herkunft des Rubāʿī

Contents
- Chapter Expand | CollapseAuthorsPage
- Titelei/Inhaltsverzeichnis
- Einleitung Angelika Neuwirth Angelika Neuwirth
- 1–70 I The Arab precursors / Modern Arabic Readings 1–70
  - 1–14 The Arabic Ghazal: Formal and thematic aspects of a problematic genre Thomas Bauer Thomas Bauer 1–14
  - 15–38 Die Herkunft des Rubāʿī Tilman Seidensticker Tilman Seidensticker 15–38
  - 39–46 The Wajdiyyāt of ʿAyn al-Quḍāt al-Hamadānī: Youthful Passions of a Sufi in the Making Vahid Behmardi Vahid Behmardi 39–46
  - 47–70 Das „Lied des Sängers ohne Hoffnung“: zur Ghazal-Rezeption in der palästinensischen Widerstandsdichtung Angelika Neuwirth Angelika Neuwirth 47–70
- 71–150 II Transformations. The late Arabic and the Persian ghazal 71–150
  - 71–86 “Dies alles sind Symbole...” Zu einem Ghasel Dschalāluddīn Rūmīs und zwei thematisch verwandten Gedichten Ibn al-ʿArabīs Johann Christoph Bürgel Johann Christoph Bürgel 71–86
  - 87–108 Sung with melodious tunes: Performance context as described in the ghazals of Jahān-Malik Khātūn Dominic Parviz Brookshaw Dominic Parviz Brookshaw 87–108
  - 109–120 The Epic roots of lyrical imagery in classical Persian poetry Anna Krasnowolska Anna Krasnowolska 109–120
  - 121–140 The Transformation of the Persian Ghazal: From Amatory Mood to Fixed Form Franklin Lewis Franklin Lewis 121–140
  - 141–150 Generic Innovation In Sayfī Buḫārāʾī’s Shahrāshūb ghazals Sunil Sharma Sunil Sharma 141–150
- 151–231 III The Great Tradition. The Ottoman and the Turkic gazel 151–231
  - 151–162 Gazels and the World: Some Notes on the ‘Occasional-ness’ of the Ottoman Gazel Walter Andrews, Mehmet Kalpaklı Walter Andrews, Mehmet Kalpaklı 151–162
  - 163–174 Naming the Beloved in Ottoman Turkish Gazel: The Case of İshak Çelebi (D. 1537/8) Selim S. Kuru Selim S. Kuru 163–174
  - 175–184 Betrachtungen zum „indischen Stil“ in der osmanischen Dichtung Michael Glünz Michael Glünz 175–184
  - 185–196 The Function of Metaphors in the Relationship between Meaning and Structure in the gazel Poem Tunca Kortantamer Tunca Kortantamer 185–196
  - 197–210 Über die „Sichtweisen“ in Nabis Ghaselen und des Dichters innovative Rolle in der Ghaselendichtung Ali Fuat Bilkan Ali Fuat Bilkan 197–210
  - 211–231 Interdisciplinary Readings of Näsīmī’s Turkic Ghazals Michael Reinhard Hess Michael Reinhard Hess 211–231
- 232–322 IV Migrations. The German Ghasel 232–322
  - 232–258 Deutsche Gaseldichtung, gattungsgeschichtlich Klaus-Detlev Wannig Klaus-Detlev Wannig 232–258
  - 259–284 Goethe and Saʿdī: Christian Wurm’s interpretation of “Selige Sehnsucht” revisited Judith Pfeiffer Judith Pfeiffer 259–284
  - 285–294 Rückert as translator and imitator of Persian ghazal poetry Hartmut Bobzin Hartmut Bobzin 285–294
  - 295–316 August Graf von Platens Ghaselen Gregor Schoeler Gregor Schoeler 295–316
  - 317–322 Die Ghaselen in August Graf von Platens orientalischer Dichtung Petra Kappert Petra Kappert 317–322
- 323–330 Index of Proper Names 323–330
- 331–334 Index of Technical Terms 331–334
- 335–344 Subject Index 335–344
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Ghazal as World Literature II , page 15 - 38

Die Herkunft des Rubāʿī

Autoren

Tilman Seidensticker

DOI
- doi.org/10.5771/9783956506932-15
- ISBN print: 978-3-89913-479-7
- ISBN online: 978-3-95650-693-2
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