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Ghazal as World Literature II / The Transformation of the Persian Ghazal: From Amatory Mood to Fixed Form
Ghazal as World Literature II / The Transformation of the Persian Ghazal: From Amatory Mood to Fixed Form
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Einleitung
Angelika Neuwirth
Angelika Neuwirth
Details
1–70
I The Arab precursors / Modern Arabic Readings
1–70
1–14
The Arabic Ghazal: Formal and thematic aspects of a problematic genre
Thomas Bauer
Thomas Bauer
1–14
Details
15–38
Die Herkunft des Rubāʿī
Tilman Seidensticker
Tilman Seidensticker
15–38
Details
39–46
The Wajdiyyāt of ʿAyn al-Quḍāt al-Hamadānī: Youthful Passions of a Sufi in the Making
Vahid Behmardi
Vahid Behmardi
39–46
Details
47–70
Das „Lied des Sängers ohne Hoffnung“: zur Ghazal-Rezeption in der palästinensischen Widerstandsdichtung
Angelika Neuwirth
Angelika Neuwirth
47–70
Details
71–150
II Transformations. The late Arabic and the Persian ghazal
71–150
71–86
“Dies alles sind Symbole...” Zu einem Ghasel Dschalāluddīn Rūmīs und zwei thematisch verwandten Gedichten Ibn al-ʿArabīs
Johann Christoph Bürgel
Johann Christoph Bürgel
71–86
Details
87–108
Sung with melodious tunes: Performance context as described in the ghazals of Jahān-Malik Khātūn
Dominic Parviz Brookshaw
Dominic Parviz Brookshaw
87–108
Details
109–120
The Epic roots of lyrical imagery in classical Persian poetry
Anna Krasnowolska
Anna Krasnowolska
109–120
Details
121–140
The Transformation of the Persian Ghazal: From Amatory Mood to Fixed Form
Franklin Lewis
Franklin Lewis
121–140
Details
141–150
Generic Innovation In Sayfī Buḫārāʾī’s Shahrāshūb ghazals
Sunil Sharma
Sunil Sharma
141–150
Details
151–231
III The Great Tradition. The Ottoman and the Turkic gazel
151–231
151–162
Gazels and the World: Some Notes on the ‘Occasional-ness’ of the Ottoman Gazel
Walter Andrews, Mehmet Kalpaklı
Walter Andrews, Mehmet Kalpaklı
151–162
Details
163–174
Naming the Beloved in Ottoman Turkish Gazel: The Case of İshak Çelebi (D. 1537/8)
Selim S. Kuru
Selim S. Kuru
163–174
Details
175–184
Betrachtungen zum „indischen Stil“ in der osmanischen Dichtung
Michael Glünz
Michael Glünz
175–184
Details
185–196
The Function of Metaphors in the Relationship between Meaning and Structure in the gazel Poem
Tunca Kortantamer
Tunca Kortantamer
185–196
Details
197–210
Über die „Sichtweisen“ in Nabis Ghaselen und des Dichters innovative Rolle in der Ghaselendichtung
Ali Fuat Bilkan
Ali Fuat Bilkan
197–210
Details
211–231
Interdisciplinary Readings of Näsīmī’s Turkic Ghazals
Michael Reinhard Hess
Michael Reinhard Hess
211–231
Details
232–322
IV Migrations. The German Ghasel
232–322
232–258
Deutsche Gaseldichtung, gattungsgeschichtlich
Klaus-Detlev Wannig
Klaus-Detlev Wannig
232–258
Details
259–284
Goethe and Saʿdī: Christian Wurm’s interpretation of “Selige Sehnsucht” revisited
Judith Pfeiffer
Judith Pfeiffer
259–284
Details
285–294
Rückert as translator and imitator of Persian ghazal poetry
Hartmut Bobzin
Hartmut Bobzin
285–294
Details
295–316
August Graf von Platens Ghaselen
Gregor Schoeler
Gregor Schoeler
295–316
Details
317–322
Die Ghaselen in August Graf von Platens orientalischer Dichtung
Petra Kappert
Petra Kappert
317–322
Details
323–330
Index of Proper Names
323–330
Details
331–334
Index of Technical Terms
331–334
Details
335–344
Subject Index
335–344
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Ghazal as World Literature II , page 121 - 140
The Transformation of the Persian Ghazal: From Amatory Mood to Fixed Form
Autoren
Franklin Lewis
DOI
doi.org/10.5771/9783956506932-121
ISBN print: 978-3-89913-479-7
ISBN online: 978-3-95650-693-2
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doi.org/10.5771/9783956506932-121
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