Despite having the principle of provenance as its guiding element, the archival knowledge organization still prescinds, for conceptual purposes, of greater clarity of its object-the archival knowledge-a fundamental aspect for the sedimentation of the archival studies and of its discursive community in the scope of KO. This article aims to define a conceptual framework to archival knowledge by using Dahlberg’s concept theory. In this vein, it established the nominal concept or definiendum-archival knowledge-seeking to analyze its real definition, composed by three inseparable definiens: the concept of fonds, the knowledge of documentary form and the knowledge of document creation context. At the end, it demonstrates that archival knowledge can be defined as being a reunion of three indivisible facets in which the archival bond will be contemplated.
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