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Franz Liszt under the Light of Progress / Im Reich der Ideen. An analysis of Liszt’s essay Berlioz und seine Haroldsymphonie
Franz Liszt under the Light of Progress / Im Reich der Ideen. An analysis of Liszt’s essay Berlioz und seine Haroldsymphonie
Contents
Chapter
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Page
1–10
Titelei/Inhaltsverzeichnis
1–10
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11–30
I Introduction
11–30
11–12
The problem Liszt
11–12
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13–20
About Liszt’s biography and the state of research
13–20
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21–30
Research perspectives
21–30
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31–164
PART I . THE THEORETICAL FRAMEWORK
31–164
31–94
II On the idea of progress
31–94
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Introduction
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Progress, a possible definition
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Changing the paradigm
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The metaphor
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The symbol
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Progress and society. The Lisztian pantheon
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The Christian legacy
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The German reflection: Goethe and Herder
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Different religions: Saint-Simon and Lamennais
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The relevance of the individual: Thomas Carlyle
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Conclusion
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95–164
III Im Reich der Ideen. An analysis of Liszt’s essay Berlioz und seine Haroldsymphonie
95–164
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Introduction
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Zum Streit über Berlioz’ Werke
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Zur Programmfrage der Instrumentalmusik
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Zur geschichtlichen Stellung und Aufgabe der Programm-Symphonie
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Musikalisch-ästhetische Analyse der „Harold-Symphonie“
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Conclusion
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165–318
PART II . THE PROGRESS IN MUSIC
165–318
165–242
IV The B minor Piano Sonata S. 178. The meaning of progress
165–242
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Introduction
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Some preliminary observations
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On the question about the programme of the Sonata
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The sources of Liszt’s new conception of the sonata form
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An analysis of the Sonata
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Introduction
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The multi movement structure
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The sonata form structure
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Introduction
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Exposition
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Development
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Recapitulation
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Coda
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The role of the symbol
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243–272
V Nel mezzo del cammin di nostra vita
243–272
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Introduction
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The years 1861–1869: the limbo
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Waldesrauschen S. 145/1
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Variationen über das Motiv von Bach Weinen, Klagen, Sorgen, Zagen S. 180
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The Years 1869–1880: the wandering Franciscan
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Fünf kleine Klavierstücke S. 192
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Aux cyprès de la Villa d’Este, Threnodie (II) S. 163/3
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273–308
VI Sint, ut sunt, aut non sint! The late piano works and the Music for the Future
273–308
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Introduction
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Es muss sein! The late piano works
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The methodological question
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Unstern! – Sinistre S. 208
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Nuages gris S. 199
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La lugubre gondola S. 200/1
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Bagatelle sans tonalité S. 216a
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The theoretical background
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309–318
VII Conclusion
309–318
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Mehrdeutigkeit as the new paradigm
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319–336
ANNEXES
319–336
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Annexes Chapter II – On the idea of progress
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Annexes Chapter IV – The B minor Piano Sonata
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Annexes Chapter V – Nel mezzo del cammin di nostra vita
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Annexes Chapter VI – Sint ut sunt, aut non sint
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337–346
Bibliography
337–346
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347–348
Acknowledgements
347–348
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Franz Liszt under the Light of Progress , page 95 - 164
Im Reich der Ideen. An analysis of Liszt’s essay Berlioz und seine Haroldsymphonie
Autoren
Willy Bettoni
DOI
doi.org/10.5771/9783968218106-95
ISBN print: 978-3-96821-809-0
ISBN online: 978-3-96821-810-6
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doi.org/10.5771/9783968218106-95
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